The paper was dry for washes of carmine, green and orange to be painted around the white buildings, and most of the street. Before the first wash was dry I painted in greens and shadows where they were needed. My plan was to keep the painting in high key (light values) leaving bright whites. It was a challenge to paint the values needed in the beginning as to not disturb them with unnecessary washes over the same area. After the painting was dry darker values where established, calligraphy, and a wash over the foreground street… it seemed to be to light….this is 15×22 using140#Arches cold press paper. Mid values dominate keeping whites and darks connected…..