It has been way to long since my last posting. Not because brushes and canvas were on stand by, electricity/water turned off or a studio melt down…well there was that one day. The current studio scene…painting discords overflow in the trash, stacks of maybe’s in the bin and a messy wet palette….no question someone has been working. Will someone identify themselves because help is needed… not more supplies. Like most artists, ‘most’ used loosely, it seems there is more to do in a day than hours permit. So thought I would share a quick demonstration born out of the chaos. Generally speaking a brush is wet everyday except when priority calls. The demonstration below is on a 11 x 14 stretched canvas. A quick response to a photograph in my files of many waiting to be painted. A yellow ocher watercolor stick was my choice for drawing.
My beginning is a sketch rather than a drawing. This gives me the freedom to change direction while laying in color…
Ultra Marine Blue/Raw Umber Violet/Cerulean Blue/Quinacridone Burnt Orange are the pigments used for the first washes. My attempt is to paint the value needed for the finished piece from the first wash of pigments. Reason being the first washes will lift from the canvas because the pigment remains on the surface. Paper absorbs pigment so glazing is effective.
Halloween Orange/Andrew’s Turquoise/Naphthol Red are added to the palette to mix and mingle with the first pigments. I enjoy seeing the pigments engage conversation with their next door neighbors. At this point I am ready to stop and say ‘fini’ but the painting needs line.
Few dark marks for windows….lines to separate or connect…a quick touch of pure pigment and it’s done….or at least it is done for me.
Hope you enjoyed the journey…thanks for participating.